omposer Frank Ilfman is set to reteam with director Navot Papushado on action thriller Gunpowder Milkshake. The film starring Karen Gillan, Lena Headey, Paul Giamatti, Angela Bassett, Michelle Yeoh, Carla Gugino, Carla Adam Nagaitis and Ralph Ineson centers on a young woman and her estranged mother (both assassins) who must join forces on the run to take down a male-dominated crime syndicate they used to work for. Papushado also co-wrote the screenplay with Ehud Lavski. Andrew Rona (Non-Stop, Unknown) and Alex Heineman (The Commuter) are producing the StudioCanal and The Picture Company production. Ilfman (Ghost Stories, The Etruscan Smile) has previously collaborated with Papushado on his last two features Big Bad Wolves and Rabies. Gunpowder Milkshake is currently in post-production and is expected to be released in 2021

Frank Ilfman has signed on to score the upcoming spy thriller The Operative. The film is written and directed by Yuval Adler (Bethlehem) and stars Diane Kruger, Martin Freeman and Cas Anvar. The movie is based on the Israeli best seller The English Teacher written by former Israeli intelligence officer Yiftach Reicher Atir and tells the story of a woman recruited by the Mossad to go undercover in Tehran who becomes entangled in a complex triangle with her handler and her subject. Anne Carey (Can You Ever Forgive Me?, Mr. Holmes, 20th Century Women) is producing the project for Archer Gray, alongside Match Factory Production’s Michael Weber & Viola Fügen (Foxtrot) and Spiro Films’ Eitan Mansuri (The Congress). Teddy Schwarzman (The Imitation Game, Mudbound) serves as an executive producer. Ilfman will be recording his music for the thriller at TELDEX Studio in Berlin in late December/early January. The composer’s previous scoring credits include the Martin Freeman-starring Ghost Stories (which was released in the U.S. earlier this year), the 2013 Israeli thriller Big Bad Wolves and this year’s The Etruscan Smile.  The Operative is expected to premiere in 2020

Frank Ilfman has signed to score the upcoming drama feature The Etruscan Smile.

The film is directed by Academy Award nominees Oded Binnun & Mihal Brezis (Aya) and stars Brian Cox, JJ Feild, Thora Birch and Rosanna Arquette.

The movie follows an old Scotsman who travels from his home in the remote island of Vallasay, Scotland to San Francisco to seek treatment for a terminal illness and finds his precious days left alive transformed as he bonds with his American grandson.

Michael McGowan (Saint Ralph, One Week), Michal Lali Kagan and Sarah Bellwood have written the screenplay based on the Spanish bestseller La Sonrisa Etrusca by Jose Luis Sampedro. Academy Award winner Arthur Cohn (The Chorus, Central Station, One Day in September) is producing the project. Ilfman will be recording his score with the London Metropolitan Orchestra orchestrated and conducted by Matthew Slater. The Etruscan Smile is set to be released in 2018.

Its been a Wonderful session for Legendary Pictures new logos fanfare.
You’ll be able to hear the music later this year when Legendary launch the new logo. We will also be posting the ‘Making Of’ film so watch this space!
Orchestrated & Conducted by the brilliant Matthew Slater, recorded and mixed by the fabulous Casey Stone.
Performed by the amazing players of the London Metropolitan Orchestra. Score supervised by Margaret Yan and Peter Afterman for Legendary.

We will be posting the ‘Making Of’ film so watch this space!

Frank Ilfman just wrapped up the score to Lionsgate “Ghost Stories” for directors Andy Nyman and Jeremy Dyson, based on the west end hit play. The film Starring: Andy Nyman,  Martin freeman and Paul Whitehouse
will be in cinemas in April 2018.

Frank recorded the score at Air Lyndhurst Studios with a large orchestra and choir, soundtrack details to follow..

This is heading

The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.

  • Coffee
  • Tea
  • Milk

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

This is heading 2

The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.

  1. Coffee
  2. Tea
  3. Milk

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

This is heading 3

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

This is heading 4

The bank manager long ago won the battle for the heart of the Stones – surveying the baffling number of hospitality packages and “tiers” of general admission at Hyde Park, one can’t help but feel sorry for the poor fan who just wanted a ticket for the gig. But all one’s scepticism disappears the minute the riff of Start Me Up explodes out of the speakers, an awful lot more sure-footed than it sounded on the TV from Glastonbury.

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

This is heading 5

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

This is heading 6

And while a sizeable section of today’s audience weren’t even born the last time Mick and co ambled through Midnight Rambler here, the fact that they’d turned out in their thousands to tread in their parents’ sandal-steps speaks volumes about the band’s enduring appeal. Things got off to a less than auspicious start. Keith Richards fluffed not one, but two of opener Start Me Up’s opening three chords – a riff one suspects, given the number of times he’s played it, would be harder for him to play wrong than right.

Name Item Name Item Price
Alvin Eclair $0.87
Alan Jellybean $3.76
Jonathan Lollipop $7.00

Headings

Header one

Header two

Header three

Header four

Header five
Header six

Blockquotes

Single line blockquote:

Stay hungry. Stay foolish.

There’s still a strange jukebox anonymity to the Keys’ approach; their vintage organ and guitar sounds often project larger personae than the band itself. But part of the reason Carney and Auerbach keep finding new ways to shake up that old-school blues-rock rumble is that they’re workaday dudes smart enough to get out of the way of their own songs. Like Clark Kent’s or Peter Parker’s, their 99 percentness only seems to enhance their powers.
Multi line blockquote with a cite reference:

People think focus means saying yes to the thing you’ve got to focus on. But that’s not what it means at all. It means saying no to the hundred other good ideas that there are. You have to pick carefully. I’m actually as proud of the things we haven’t done as the things I have done. Innovation is saying no to 1,000 things. Steve Jobs – Apple Worldwide Developers’ Conference, 1997

There’s still a strange jukebox anonymity to the Keys’ approach; their vintage organ and guitar sounds often project larger personae than the band itself. But part of the reason Carney and Auerbach keep finding new ways to shake up that old-school blues-rock rumble is that they’re workaday dudes smart enough to get out of the way of their own songs. Like Clark Kent’s or Peter Parker’s, their 99 percentness only seems to enhance their powers.

Tables

Employee Salary
John Saddington $1 Because that’s all Steve Job’ needed for a salary.
Tom McFarlin $100K For all the blogging he does.
Jared Erickson $100M Pictures are worth a thousand words, right? So Tom x 1,000.
Chris Ames $100B With hair like that?! Enough said…

Definition Lists

Definition List Title
Definition list division.
Startup
A startup company or startup is a company or temporary organization designed to search for a repeatable and scalable business model.
#dowork
Coined by Rob Dyrdek and his personal body guard Christopher “Big Black” Boykins, “Do Work” works as a self motivator, to motivating your friends.
Do It Live
I’ll let Bill O’Reilly will explain this one.

Unordered Lists (Nested)

  • List item one
    • List item one
      • List item one
      • List item two
      • List item three
      • List item four
    • List item two
    • List item three
    • List item four
  • List item two
  • List item three
  • List item four

Circled List

  • List item one
    • List item one
      • List item one
      • List item two
      • List item three
      • List item four
    • List item two
    • List item three
    • List item four
  • List item two
  • List item three
  • List item four

Ordered List (Nested)

  1. List item one
    1. List item one
      1. List item one
      2. List item two
      3. List item three
      4. List item four
    2. List item two
    3. List item three
    4. List item four
  2. List item two
  3. List item three
  4. List item four

HTML Tags

These supported tags come from the WordPress.com code FAQ.

Address Tag

1 Infinite Loop
Cupertino, CA 95014
United States

Anchor Tag (aka. Link)

This is an example of a link.

Abbreviation Tag

The abbreviation srsly stands for “seriously”.

Acronym Tag (deprecated in HTML5)

The acronym ftw stands for “for the win”.

Big Tag (deprecated in HTML5)

These tests are a big deal, but this tag is no longer supported in HTML5.

Cite Tag

“Code is poetry.” —Automattic

Code Tag

You will learn later on in these tests that word-wrap: break-word; will be your best friend.

Delete Tag

This tag will let you strikeout text, but this tag is no longer supported in HTML5 (use the <strike> instead).

Emphasize Tag

The emphasize tag should italicize text.

Insert Tag

This tag should denote inserted text.

Keyboard Tag

This scarsly known tag emulates keyboard text, which is usually styled like the <code> tag.

Preformatted Tag

This tag styles large blocks of code.

.post-title {
	margin: 0 0 5px;
	font-weight: bold;
	font-size: 38px;
	line-height: 1.2;
	and here's a line of some really, really, really, really long text, just to see how the PRE tag handles it and to find out how it overflows;
}

Quote Tag

Developers, developers, developers… –Steve Ballmer

Strike Tag (deprecated in HTML5)

This tag shows strike-through text

Strong Tag

This tag shows bold text.

Subscript Tag

Getting our science styling on with H2O, which should push the “2” down.

Superscript Tag

Still sticking with science and Isaac Newton’s E = MC2, which should lift the 2 up.

Teletype Tag (deprecated in HTML5)

This rarely used tag emulates teletype text, which is usually styled like the <code> tag.

Variable Tag

This allows you to denote variables.